3,511 Royalty-Free Audio Tracks for "E Major Scales"

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Sorud-e Mellí-e Yomhurí-e Eslamí-e Irán (Instrumental) - AFIRI Band

Supertonic diminished seventh chord in C (D♯=E♭).

♭III+ chord in just intonation. Pitch bend matches intervals.

Minor seventh chord on e iii7 in C.

Viennese fourth chord.

III+7M chord in C minor.

Nocturne Op. posth. 72 in E Minor

Diatonic scale on C, staccatissimo articulation.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Janacek Sinfonietta 2nd movement, opening bars

Scarlatti Sonata K319, bars 62-80, octatonic descending bassline

Diatonic scale on C, staccato articulation.

Diatonic scale on C, legato articulation.

Slendro vs whole tone scale on C

Diatonic scale on C, tenuto articulation.

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

5-tet scale on C. Pitch bend matches intervals.

Pythagorean diatonic scale on C. + indicates the syntonic comma.

clarinet concerto no. 2 in e-flat major, j. 118 - iii. alla polacca

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

Lydian augmented scale on C.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

Lydian dominant scale on C.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

11-tet scale on C. MIDI pitch bend matches intervals.

C major triad, played by me

J.S. Bach 'Bourree in E minor' (BWV 996)

Note: This is only the Prelude in E-flat minor. This recording does not include the corresponding fugue, which is (oddly) in D-sharp minor. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].

Scale of the fingering chart for the tabor pipe.

Parrallelism in music (example).

Example of modulation to the dominant from vocal music (1836).

Sergei Rachmaninoff performing Waltz in E flat major, Op. 18. Composer: Chopin. Instrument: Steinway concert grand piano. Valse en mi bémol majeur, op. 18 de Chopin, interprétée sur un grand piano Steinway par Sergei Rachmaninoff en 1921.

C majorΕλληνικά: Η συγχορδία ΝΤΟ μείζονα

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Major second on D.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

Suite for Microtonal Piano microtonal tuning arranged in a chromatic scale. Created by Hyacinth (talk) 14:26, 17 January 2012 (UTC) using Sibelius 5.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.